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永不停止的舞步——俄罗斯“国宝级”艺术家玛娅·普利谢斯卡娅

来源： 《透视俄罗斯》
One of Russia’s towering artists, ballerina Maya Plisetskaya, is celebrating a milestone birthday. At 87 years old, she has preserved her ability to mesmerize and marvel loyal admirers worldwide. (Moscow. The Bolshoi Theater. Ballet dancer Maya Plisetskaya at training, 1985)
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ITAR-TASS

俄罗斯著名艺术家、芭蕾舞演员玛娅·普丽谢斯卡娅（Maya Plisetskaya）生日庆典即将举行。尽管普丽谢斯卡娅已经87岁高龄了，但依然保留着令全世界忠实粉丝惊叹的能力。（图中：莫斯科大剧院芭蕾舞蹈演员玛娅·普丽谢斯卡娅正在训练，摄于1985年。）
A series of concerts and performances dedicated to the enchanting and indefatigable artist will take place in Russia and overseas. (Film "Ballerina", 1970)

ITAR-TASS

这位迷人而不知疲倦的艺术家在俄罗斯和世界各地举办了系列音乐会和演出。（图中：电影《芭蕾舞鞋》，1970年）
The redheaded star of the Bolshoi Theater has been a stunner from the very first “pas” she took on stage. Her technical excellence, plus enthusiasm and intelligence were encouraging, her feminine charisma undeniable. No wonder she has never been in a corps de ballet of the Bolshoi. (Maya Plisetskaya and Nikolai Fadeyechev performing "Preludes and Fugues" by German composer Johann Sebastian Bach. The Bolshoi Theatre, 1968)

ITAR-TASS

从最初登台到现在，莫斯科大剧院的这位红发明星一直是一位出色的芭蕾舞演员。卓越的舞蹈水平，再加上热情、智慧，以及不可忽视的女性魅力，使普丽谢斯卡娅成为俄罗斯和世界芭蕾舞艺术史上最伟大的女演员。（图中：1968年，玛娅·普丽谢斯卡娅与尼古拉·法捷耶契夫（Nikolai Fadeyechev）在莫斯科大剧院表演德国作曲家约翰·塞巴斯蒂安·巴赫的作品《小前奏曲与赋格曲》。）
The award-winning ballerina's worked with the leading light of top-class world choreography – Maurice Béjart, Roland Petit, Alberto Alonso, and Yury Grigorovich, performing all over the world. ( Bolshoi Theatre ballet dancers, 1985)

ITAR-TASS

这位屡获殊荣的芭蕾舞演员曾与世界第一流的编舞者一起工作，如莫里斯·贝哈特（Maurice Béjart）、阿尔贝托·阿隆索（Alberto Alonso）、罗兰·珀蒂（Roland Petit）以及尤里·格里戈洛维奇（Yury Grigorovich）等。他们曾在世界各地进行演出。（图中：莫斯科大剧院芭蕾舞演员，摄于1985年。）
Plisetskaya once said that one of the secrets of her success was moderation. Unlike many young ballerinas who tortured themselves with endless rehearsals to gain sought-after excellence, Plisetskaya confessed she never burned the midnight oil, allowing herself to enjoy exercise instead of hating it. (Russian dancer Maya Plisetskaya starring as Isadora in the eponymous ballet staged for her by the Belgian choreographer Maurice Bejart, at Moscow's Bolshoi Theatre, 1986)

RIA Novosti

普丽谢斯卡娅曾经说过，适度是自己成功的秘诀之一。她认为，为了追求卓越的表现，许多年轻的芭蕾舞演员不停地训练，等同于折磨自己。她说自己从来不会排练至深夜。她会让自己享受排练的过程，而不会感到厌倦。（图中：普丽谢斯卡娅在比利时编舞家莫里斯·贝哈特编写的芭蕾舞剧《伊莎多拉》中扮演伊莎多拉，莫斯科大剧院，摄于1986年。）
Dancing like a queen, she could be recognized by the height of her flight of fancy and height of her jumps on stage, as well as trademark emotional eloquence. She could say so much with just a wave of her hand or a turn of her head. The Dying Swan was her breakthrough role which she delivered with unprecedented tour de force. (Maya Plisetskaya (left), before a performance, 1965)

RIA Novosti

跳舞时，普丽谢斯卡娅就像女王一样，有着自己标志性的空中跳跃动作和高度，还有极为出色的情绪表达。只要挥挥手或是转一下头，就能传达出很多内容。她在《天鹅之死》中进行了突破性的演出，表演力度前所未有。（图中：玛娅·普丽谢斯卡娅（左）在正式表演之前，摄于1965年。）
Ballet carried her away from the tragedies of her past. Born into a Jewish family in 1925, Plisetskaya's father was killed during the Stalinist purges; her mother arrested and sent to a labor camp with her baby son. It was Plisetskaya's aunt, Sulamith Messerer – a ballerina and choreographer – who fostered the love of ballet in the little Maya, after her parents were brutally taken from her, with a slim hope for survival. (Ballet dancer Maya Plisetskaya acting as Princess Betsi Tverskaya in the film Anna Karenina, 1966)

ITAR-TASS

芭蕾舞使普丽谢斯卡娅不再沉浸在往日的悲伤中。1925年，普丽谢斯卡娅出生于一个犹太家庭，父亲在斯大林时期的大清洗中惨遭杀害，而母亲被逮捕后带着玛娅刚出生的弟弟被送去劳教。父母辈残忍地从身边带走，生存希望渺茫。玛娅的姨母、芭蕾舞演员和编舞者苏拉米斯·梅塞雷尔（Sulamith Messerer）收养了她并培养起小玛娅对芭蕾舞的热爱。（图中：玛娅·普丽谢斯卡娅在电影《安娜·卡列尼娜》中扮演公主贝特西·特维尔斯卡娅（Betsi Tverskaya），摄于1966年。）
However, Plisetskaya's life and career can hardly be imagined without Rodion Shchedrin. Her partnership with the outstanding composer has stood the test of time – they have been together for more than half a century; a living example of a genuinely happy, magnificent creative marriage. (Maya Plisetskaya and her husband and composer Rodion Shchedrin take a walk in a forest outside Moscow, 1962)

RIA Novosti

很难想象，如果普丽谢斯卡娅的生活和事业中没有了罗迪翁·谢德林（Rodion Shchedrin）会是怎么样。她与这位出色的作曲家的爱情经受住了时间的考验，他们在一起生活了50多年，成为真正幸福和极富创造性婚姻的鲜活例子。（图中：玛娅·普丽谢斯卡娅与丈夫、作曲家罗迪翁·谢德林在森林中散步，摄于1962年。）
Maya Plisetskaya and Azary Plisetsky, her brother and ballet dancer at the same theater, relaxing, 1962. Russian-born Azari Plisetsky, who joined the National Ballet of Cuba as Alicia Alonzo’s partner in the ’60s, is credited, by way of his teaching, with revitalizing ballet in Cuba.

RIA Novosti

同为芭蕾舞演员的玛娅的弟弟阿扎里加入了古巴国家芭蕾舞团，并在20世纪60年代成为艾丽西亚·阿隆佐（Alicia Alonzo）的舞伴。他的教学方式使芭蕾舞在古巴得以重现生机。（图中：玛娅·普丽谢斯卡娅与弟弟在同一家剧院工作，摄于1962年。）
She wasn't afraid to break away from historical canons and experiment with different styles of dancing, combining them with classical ballet. Her talent was noticed early on, but affirming her own unique style took a long time. (Bolshoi Theater Tour in America. Maya Plisetskaya familiarizes herself with newspaper reviews, 1962)

RIA Novosti

普丽谢斯卡娅从不畏惧挑战经典，她尝试不同风格的舞蹈，并将之与古典芭蕾相结合。普丽谢斯卡娅很早便展现出自己的才华，但形成自己的独特风格却经历了相当长的时间。（图中：普丽谢斯卡娅随同莫斯科大剧院在美国进行巡回演出时接受媒体采访，摄于1962年。）
Maya Plisetskaya performed as a model by demonstrating the costumes of the French fashion designer Pierre Cardin, 1987. Pierre Cardin saw Maya Plisetskaya as his muse. For Maya, he created beautiful costumes for Anna Karenina, Chaika (The Seagull), and Dama s Sobachkoi (A Lady with a Dog) ballets.

RIA Novosti

玛娅·普丽谢斯卡娅曾客串做过模特，并参加了1987年举行的法国时装设计师皮尔·卡丹的作品展。皮尔·卡丹将普丽谢斯卡娅视为知己的缪斯女神，为其在芭蕾舞剧《安娜·卡列尼娜》，《海鸥》和《带狗的女人》等系列演出中设计了众多美丽的服装。
Famous Russian ballerina Maya Plisetskaya celebrates her birthday on stage of the State Academic Bolshoi Theater, 2000. The Financial Times on Maya's 80th birthday: “She was, and still is, a star, ballet's monstre sacré, the final statement about theatrical glamour, a flaring, flaming beacon in a world of dimly twinkling talents, a beauty in the world of prettiness”.

RIA Novosti

2000年，玛娅·普丽谢斯卡娅在国家模范大剧院的舞台上庆祝自己的80岁生日。《金融时报》对此事的报道是：“她过去是，现在依然是明星、芭蕾舞界的巨星以及舞台艺术最杰出的代表。她是世界上最光彩夺目的天才，拥有难得一见的美貌。”
Russia's prominent ballet dancer Maya Plisetskaya has been made an Officer of the Legion of Honour during an award ceremony in French embassy, 2012. Her life and work so far was summarised by the French ballet critic André Philippe Hersin in three words: “genius, audacity and avant-garde.”

ITAR-TASS

2012年，俄罗斯著名芭蕾舞舞蹈家玛娅·普利谢斯卡娅被法国大使馆评委荣誉军团官员。法国芭蕾舞评论家安德烈·菲利普·赫辛（André Philippe Hersin）用三个词总结普利谢斯卡娅的生活和事业，即天才、勇气和前卫。
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2012年12月11日
标签: 苏联、 纪念、 名人、 文化、 艺术、 芭蕾舞

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