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俄罗斯精神疾病患者的生活 前苏联移民聚居地—布莱顿海滩

17幅俄罗斯画家静物写生作品

来源： 《透视俄罗斯》
Still life of letters, Kuzma Petrov-Vodkin, 1925
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Kuzma Petrov-Vodkin

《信件静物》（1925）
Сервис за чај на маса, Маја Коитсева, 1958 година.

Маја Коитсева

《绿桌布上的茶具》（1958）
Flowers and fruits, Ivan Khrutsky, 1830s

Ivan Khrutsky

《花束与水果》（1830年代）
Apples and leaves, Ilya Repin, 1879

Ilya Repin

《苹果与树叶》（1879）
Still life of sweets, Boris Kustodiev

Boris Kustodiev

《甜点静物》
Still life of sliced watermelon, Ilya Mashkov, 1937

Ilya Mashkov

《切开的西瓜静物》（1937）
Still life of shoe and mirror, Natalia Goncharova

Natalia Goncharova

《鞋子与镜子静物》
Still life of pheasant, Boris Kustodiev, 1914

Boris Kustodiev

《野鸡静物》（1914）
Beginning in the 18th century, still life became its own genre of painting in Russia. Artists working in this genre displayed images in different ways, allegorically describing their relation to the things around them. We’ve collected the 17 most interesting still lifes painted by Russian hands. // Still life, Ilya Mashkov, 1938

Ilya Mashkov

18世纪初，俄罗斯静物写生形成了自己的风格。擅长该体裁的画家们以不同的方式塑造着各种形象，通过寓言比喻的手法表现出周围事物与之的关系。我们挑选了出自俄罗斯画家的17幅最有趣的静物写生作品。
Still life of ham, Natalia Goncharova

Natalia Goncharova

《火腿静物》
Still life of fruits, Ilya Mashkov, 1908

Ilya Mashkov

《水果静物》（1908）
Still life, Christ has risen!, Nikolay Bogdanov-Belsky, 1915

Nikolay Bogdanov-Belsky

《静物，基督升天！》（1915）
Still life of asparagus and strawberries, Zinaida Serebryakova 1932

Zinaida Serebryakova

《芦笋和草莓静物》（1932）
Still life of a female head, Kuzma Petrov-Vodkin, 1921

Kuzma Petrov-Vodkin

《女人头部静物》（1921）
Artists strove to expand the possibilities of visual language, the results of which most vividly manifested themselves in still life. Enriched with new subjects, images, and artistic techniques, Russian still life developed rapidly. In 15 years, it ran the gamut from impressionism to abstract art. // Still life, Nikolay Bogdanov-Belsky

Nikolay Bogdanov-Belsky

画家们力图扩展视觉语言的可能性，将其在静物写生中以最生动的形象呈现出来。随着新的主题、形象和艺术技巧的丰富，俄罗斯静物绘画得到迅速发展。在15年中，经历了从印象派到抽象派的全部画风。
Until the 20th century, still life was considered to be a “learning” genre for newcomers and was not accepted by serious artists. The beginning of the 20th century was considered to be the heyday of Russian still life painting, the time when it first achieved parity with other genres. // Still Life of Attributes of the Arts, Zinaida Serebryakova, 1922

Zinaida Serebryakova

一直到20世纪时，静物写生都只被当做针对初学者的“教学”体裁，而不被严肃艺术家所接受。20世纪初被认为是俄罗斯静物绘画的全盛时期，静物写生首次与其它体裁绘画平分秋色。
In most cases, artists painted everyday items that are endowed with an additional symbolic meaning. // On a sea shore, Konstantin Korovin, 1910

Konstantin Korovin

很多时候，画家们喜欢描绘被赋予象征意义的日常用品。
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2014年7月29日
标签: 俄罗斯、 艺术、 画家、 作品

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